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[C759.Ebook] Download Ebook Black Internationalist Feminism: Women Writers of the Black Left, 1945-1995, by Cheryl Higashida

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Black Internationalist Feminism: Women Writers of the Black Left, 1945-1995, by Cheryl Higashida

Black Internationalist Feminism: Women Writers of the Black Left, 1945-1995, by Cheryl Higashida



Black Internationalist Feminism: Women Writers of the Black Left, 1945-1995, by Cheryl Higashida

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Black Internationalist Feminism: Women Writers of the Black Left, 1945-1995, by Cheryl Higashida

 

 

Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights. Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing. In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements.

  • Sales Rank: #3306901 in Books
  • Published on: 2011-12-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, 1.10 pounds
  • Binding: Hardcover
  • 264 pages

Review

 

"Indispensable reading for the project of intellectual decolonization of the Cold War era."--Against the Current

"This wonderful book makes a major contribution in rethinking the vitality and importance of the African American Left in the Cold War era. It combines insightful readings, careful research, and a grasp of the historical context that I have rarely seen."--James Smethurst, author of The African American Roots of Modernism: From Reconstruction to the Harlem Renaissance

 

"A powerful revisioning of the relationship between black feminism and nationalism."--The Journal of American History


"Higashida provides a very strong and indisputable corrective to contemporary scholarly trends and a profound rethinking of established narratives of both radicalism and Black feminism. An accomplished blend of radical social history and literary analysis, this book promises to revolutionize the field."--Michelle Ann Stephens, author of Black Empire: The Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914–1962

      "This unique study opens up fascinating new areas of discussion in feminism, literary studies, and political history.  Highly recommended."--Choice
"Black Internationalist Feminism:  Women Writers of the Black Left, 1945-1995 advances our knowledge of radical Black internationalism as it accounts for the contributions of women writers who were also activists and major contributors to that formulation."--Labour/La Travail

About the Author
 Cheryl Higashida is an assistant professor of English at the University of Colorado at Boulder.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A very important book
By Eric M. Mann
Cheryl Higashida has written an important book for today's social movements--Black Internationalist Feminism. Think about it, for some in the Occupy movement the terms "Black" "Internationalist" and "Feminism" are not even in their vocabulary, and the many for whom they are, it is essential to bring that debate frontally into today's movement. Higashida's book is a critical window into left history, a less examined but historically pivotal investigation into the work of Black left women,all as part of a broad anti-racist, anti-imperialist united front, many of whom working with the Communist Party, "women writers of the Black Left from 1945 to 1995" Almost all of the Black women discussed saw the primary struggle in the world as between oppressor nations--in particular, U.S. imperialism--versus those nations oppressed by imperialism, the nations and peoples of the Third World including Black people inside the borders of the United States. But within that tradition, Higashida focuses on the critical frame of Black feminism, again Black anti-imperialist feminism, including the fierce struggle against patriarchy, homophobia, and misogny inside and outside the Black nation. Her opening chapter "the Negro question, the Woman Question, and the "Vital Link" is a great frame for the discussion--and if you are new to this line of argument, a great introduction for any reader who is interested in feminism, Black liberation, and socialism. She has important chapters on Lorraine Hansbury and Rosa Guy (which I have not yet read but plan to soon) and Audre Lorde Revisited: Nationalism and Second Wave Black Feminism that I have read with great attention and appreciation. (I wrote a chapter about Audre Lorde in my book Playbook for Progressives. I wish Cheryl's book had been published first because it would have strengthened my understanding but I am happy to say that the search for knowledge continues and I have learned a lot from her complex and astute interpretation of Lorde's work.) And remember, these are Black women WRITERS so there is the joy of trying to understand the complex issues of content, form, collective and individual biography that they are grappling with, and which Higashida navigates with great, and at times, brilliant insight and synthesis. Black Internationalist Feminism pays great attention to historical detail and line of argument; Higashida's prose is straightforward and the issues she is addressing are of great import for people's lives. This is not an easy journey, it takes some real digging in to follow the line of argument, but only because the Black women whose work she is analyzing were true heavyweights of history, and require our best attention. For young women of color, especially Black women, who have been denied the chance to learn the history of such Black feminist, anti-imperialist, and often pro-socialist giants, this book is a real gift. For anyone who suffers oppression under imperialism or who supports the struggles of those who do Black Internationalist Feminism is an eye opener.
Eric Mann

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