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Four Hands, by Paco Ignacio Taibo II
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Description:
The narrators of Paco Ignacio Taibo II's wonderfully inventive novel, Four Hands, are Greg Simon and Julio Fernandez: investigative journalists uncovering an elaborate plot by an obscure American government agency to vilify the Sandinista leadership in Nicaragua. The story they discover and type out together weaves truth with lies, wild humor with tragedy, and reality with fantasy–a stranger-than-fiction tale of imperial excess where delusion makes perfect sense.
Joining such historical figures as Harry Houdini, Leon Trotsky, Pancho Villa, and Stan Laurel is a sprawling cast of characters that includes Alex, a spymaster with a knack for the absurd; Rolando, a depraved Mexican drug trafficker; and Stoyan Vasilev, a geriatric Bulgarian counterspy.
A “documentary novel” and a passionate satire about the means and ends of politics, Paco Taibo's Four Hands has been compared to the fiction of Marquéz, Dos Passos, Doctorow, and Heller.
Praise:
“I am his number one fan…. I can always lose myself in one of his novels because of the intelligence and humor.”
—Laura Esquivel, author of Like Water for Chocolate
“Taibo writes with genuine savvy, a crackling wit and a certain zaniness that is his very own…. A storyteller of real genius.”
—Los Angeles Times
“Like Bach (or Houdini), the pleasure Taibo offers us consists in watching him set himself a problem of astonishing complexity and then solve it.”
—New York Newsday
“It’s impossible to review [Taibo II’s] literary work without painting an ideological portrait. He’s probably the writer on the left with the proudest lineage of all those I’ve read.”
—Christopher Domínguez Michael, Letras Libres
“Taibo's prose is rich in metaphor, and his confident, insightful storytelling makes the individual pieces of his novel intriguing long before the connections among them are apparent. Dail's translation does fine justice to the author's colorful, virtuosic narrative.”
—Publishers Weekly
About the Author:
Paco Ignacio Taibo II, or PIT, was born in Gijón, Spain in 1949, before fleeing Franco’s dictatorship with his family in 1958. He has resided in Mexico City ever since, where he’s built a career as a writer, journalist, historian, and perhaps most crucially, a founder of the neopolicial genre in Latin America. His books have been published in 29 countries and translated into nearly as many languages. In addition to being a prolific writer, he is an active member of the international crime writing community and organizes Semana Negra or “Noir Week” in his native Gijón. He has won the Latin American Dashiell Hammett Prize three times, as well as the Mexican Premio Planeta, and several other awards for international crime fiction.
About the Translator:
Laura C. Dail graduated from Duke University and received her Master’s degree in Spanish from Middlebury College. She has served on the board of the Association of Authors Representatives (AAR) and currently chairs the AAR Royalties Committee. A literary agent as well as a translator, she is the head of the Laura Dail Literary Agency.
- Sales Rank: #1085003 in eBooks
- Published on: 2015-01-20
- Released on: 2015-01-20
- Format: Kindle eBook
From Publishers Weekly
Deadly tricks of the international spy trade illuminate various tactics of survival, collaboration, disinformation--and the creative process--in this complex tale of journalism and subversion in Latin America. Cycling back and forth in time and through a protean array of distinct narrative voices and points of view, Mexican crime novelist Taibo ( No Happy Ending ) gradually gives shape to a whirlwind of brief fragments from the lives of his diverse characters. These include Leon Trotsky, Stan Laurel and Houdini, each of whom is presented in an unexpected but somehow credible context. The various narrative threads intersect in 1980s Mexico, where Alex, who comes from an obscure intelligence office in New York, orchestrates his masterpiece of deception, a scheme to vilify the Sandinista leadership in Nicaragua; and where two journalists, Julio and Greg, bring their eponymous four hands together to tell the tale. Taibo's prose is rich in metaphor, and his confident, insightful storytelling makes the individual pieces of his novel intriguing long before the connections among them are apparent. Dail's translation does fine justice to the author's colorful, virtuosic narrative.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
At times reminiscent of Doctorow's work, Four Hands is a glorious documentary-style novel, offbeat and usually comic. Taibo (Some Clouds, LJ 6/1/92) focuses on two 1980s journalists. Both partners and friends, Mexican Julio Fernandez and North American Greg Simon write about politics and revolution for the likes of Mother Jones and Rolling Stone. Interwoven with their stories are strands of fiction and fictionalized nonfiction that span the decades of the 20th century, roaming from the Americas to Europe and back. Other characters include Stan Laurel, Leon Trotsky, and civil engineer and anti-Sandinista Ben Linder. Taibo, who lives in Mexico City, is already well known to Spanish-language readers. This novel belongs in all strong contemporary literature collections.
Mary Margaret Benson, Linfield Coll. Lib., McMinnville, Ore.
Copyright 1994 Reed Business Information, Inc.
From Booklist
Taibo is usually considered a crime writer due to such anarchistic detective novels as No Happy Ending , but even though espionage plays a role here, this hilariously disorienting tale is too slippery for a genre designation. The title refers to lucrative if frequently ludicrous partnerships, such as that of Laurel and Hardy (Stan Laurel plays a key role in this complicated narrative), and the collaboration of the novel's main characters, journalists Greg and Julio. Greg, Jewish and chronically alienated, is the photographer, while Julio, loquacious and sanguine, does most of the writing, although, four-handedly, they manage to crank out articles in both Spanish and English, doubling their earning potential. As they track down their latest story amid the chaos and fervor of Latin American politics, war, gun trading, and drug dealing, they inadvertently parallel Operation Snow White, the goofy, most likely pointless brainchild of a CIA operative named Alex. Taibo's cleverly fractured yet unmistakably pointed plot involves dwarfs both literal and figurative, Houdini, a long-lost manuscript of a mystery written by Trotsky, and wonderfully caustic musings on the cult of information. Taibo ranges all over the map, and we follow, curious and entertained. Donna Seaman
Most helpful customer reviews
12 of 12 people found the following review helpful.
Whoa! What a ride...
By A Customer
Yummy. This book is a real treat for any person who can string together alot of facts, loves details from the four corners of the earth that all play into a plot, and intellectualism in their mystery. I have to admit there were some chapters about a play in some prision that I did not get at all. But what I did get was a huge grin on my face for three days while I slogged through this fun fun book. So many subplots. The CIA (sort of, with a great oberkonig character), revolutionary-chasing reporters (they love Che and pal around in El Salvador when they're not drunk), stressed out drug dealers, Leon Trotsky, and some old International Marxist Organization surviving through a bunch of octagenarians. Oh-- I forgot my favorite-- a PhD student in search of a thesis topic. All these characters come together in an odd tale. And the best thing--- the book has NO POINT. At least none that I could pick up. Don't read this if you need to have your Ts crossed by the time you're done. Personally, it was sheer joy to read this. The author and translator are clever and witty to an art form and I hope someday I have friends who can amuse me so.
6 of 6 people found the following review helpful.
Worth the Effort
By Stephanie Osborn
Have you read a lot of mystery novels? Can you guess "whodunnit" before the final chapter? If so, try your wits against this book. Written from several different perspectives, bridging not only gaps in point of view but time and geography as well, this novel will make you want to bang your head into the wall. Taibo's work, however, is well worth the all the confusion, because once you have a vague idea of what is going on, the work's machinations are fascinating. While Four Hands can be read as an exercise in disinformation, in the creation of history, it can also be read as the construction of a mystery. In other words, reading this novel is like seeing the cogs turning in Agatha Christie's head. Taibo supplies all of the necessary ingredients for a good mystery novel: the killer, the victim, the mastermind, and of course, the detectives (Greg and Julian, two journalists). The construction of the mystery then proves more important than the mystery itself; the reader waits and waits for all of these ingredients to come together. The character of Alex, the crazy agent in charge of the intelligence agency "SD" ("It is not especially clear who maintains the SD either. One time someone suggested their paychecks came directly from the National Security Council"(11)) is Taibo's mad artist figure, pulling all of the mystery's factors together. Alex, however, tries to plan the outcome of this mystery, and so there is potentially no mystery at all, but just the manipulations of an intelligence agency. Can all mystery novels be seen as the result of such careful and meticulous calculation? Is there any such thing as the unknown anymore? Luckily, there are enough twists and turns in this complicated narrative to keep every reader happy. In fact, if you can keep up with what exactly is going on, then you deserve a gold medal. My advice is to just enjoy this "mystery-in-reverse" and to appreciate the kind of thought and energy that goes into creating traditional mystery novels.
1 of 1 people found the following review helpful.
About the Book- From the publisher and editorial reviews
By Wishful
Four Hands
ANNOTATION
Stan Laurel, one of the heroes of Four Hands, wanders into Mexico and witnesses the assassination of Pancho Villa. There follow other episodes, centered on Greg, an American journalist, and Julio, his Mexican friend and collaborator. Taibo gives the reader a plethora of brilliant characters in this panoramic novel that moves backward and forward in time.
FROM THE PUBLISHER
St. Martin's Press is proud to publish the first English translation of a major literary novel by Paco Ignacio Taibo II, whose previous appearances in this country have been this leading Mexican author's crime novels. The "four hands" are those of two world-ranging journalists, one Mexican and one American. It is these two men who provide the initially improbable links between such disparate elements of Taibo's amazing novel as Stan Laurel's witnessing the assassination of Pancho Villa; the Disinformation Operation of an anonymous group in New York who approach their dingy office up a fire escape; the discovery of Leon Trotsky's notes for the crime novel he was writing when he was murdered in Mexico; the stupefying thesis proposals of graduate student Elena Jordan; an episode in the Contra war in Nicaragua; and the Spanish miner's takeover of a coal mine in the thirties. These themes and others, like the voices of a Bach fugue, appear and disappear and reappear, gradually weaving together into an intricate whole without losing their separate identities. Four Hands is a funny, dazzling, and exuberant work that only this author could have created.
FROM THE CRITICS
Publisher's Weekly
Two journalists-one Mexican, the other American-each tell the story of a plot to vilify the Nicaraguan Sandinistas in this complex tale that weaves together real and fictional characters including Pancho Villa, Stan Laurel and Harry Houdini. (July)
Library Journal
At times reminiscent of Doctorow's work, Four Hands is a glorious documentary-style novel, offbeat and usually comic. Taibo (Some Clouds, LJ 6/1/92) focuses on two 1980s journalists. Both partners and friends, Mexican Julio Fernndez and North American Greg Simon write about politics and revolution for the likes of Mother Jones and Rolling Stone. Interwoven with their stories are strands of fiction and fictionalized nonfiction that span the decades of the 20th century, roaming from the Americas to Europe and back. Other characters include Stan Laurel, Leon Trotsky, and civil engineer and anti-Sandinista Ben Linder. Taibo, who lives in Mexico City, is already well known to Spanish-language readers. This novel belongs in all strong contemporary literature collections.-Mary Margaret Benson, Linfield Coll. Lib., McMinnville, Ore.
BookList - Donna Seaman
Taibo is usually considered a crime writer due to such anarchistic detective novels as No Happy Ending , but even though espionage plays a role here, this hilariously disorienting tale is too slippery for a genre designation. The title refers to lucrative if frequently ludicrous partnerships, such as that of Laurel and Hardy (Stan Laurel plays a key role in this complicated narrative), and the collaboration of the novel's main characters, journalists Greg and Julio. Greg, Jewish and chronically alienated, is the photographer, while Julio, loquacious and sanguine, does most of the writing, although, four-handedly, they manage to crank out articles in both Spanish and English, doubling their earning potential. As they track down their latest story amid the chaos and fervor of Latin American politics, war, gun trading, and drug dealing, they inadvertently parallel Operation Snow White, the goofy, most likely pointless brainchild of a CIA operative named Alex. Taibo's cleverly fractured yet unmistakably pointed plot involves dwarfs both literal and figurative, Houdini, a long-lost manuscript of a mystery written by Trotsky, and wonderfully caustic musings on the cult of information. Taibo ranges all over the map, and we follow, curious and entertained.
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