Jumat, 20 September 2013

[A245.Ebook] PDF Download Madison Avenue Manslaughter: An Inside View of Fee-Cutting Clients, Profit-Hungry Owners and Declining Ad Agencies, by Michael Farmer

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Madison Avenue Manslaughter: An Inside View of Fee-Cutting Clients, Profit-Hungry Owners and Declining Ad Agencies, by Michael Farmer



Madison Avenue Manslaughter: An Inside View of Fee-Cutting Clients, Profit-Hungry Owners and Declining Ad Agencies, by Michael Farmer

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Madison Avenue Manslaughter: An Inside View of Fee-Cutting Clients, Profit-Hungry Owners and Declining Ad Agencies, by Michael Farmer

Advertising agencies are caught between fee-cutting clients and profit-hungry owners. In the meantime, their creative workloads are growing, driven by increased TV, digital and social advertising. How do agencies generate profit margins under these circumstances? Through downsizing, salary freezes and 'juniorizing.' Agencies are disinvesting in capabilities at a time when their clients' marketing challenges have never been greater. No wonder their clients are beefing up their internal capabilities and changing agencies at an accelerated rate!
This is Madison Avenue Manslaughter, documented in detail by Michael Farmer, who has been working in the industry for the past 25 years. Farmer, who was formerly a Director of Bain & Company, provides a gripping analysis of advertising agencies and their deteriorating situation. He describes the key trends that have weakened agencies during recent years -- the shift from commissions to fees, brand globalization, the rise of holding companies, client obsession with shareholder value, the digital and Internet revolutions -- and outlines the steps that senior agency executives need to take to restore health to their organizations and improved results to their clients.
This book is a first of its kind -- a detailed examination of ad agencies as businesses: their cultures, organizations, management philosophies and strategic choices -- providing an unforgettable inside look at the Mad Men's declining world.


Winner of the Gold Medal for Marketing books, 2016 Axiom Awards

  • Sales Rank: #101818 in Books
  • Published on: 2015-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .70" w x 6.13" l, .0 pounds
  • Binding: Hardcover
  • 200 pages

Review
Jon Bond, CEO Tomorro; former CEO, Big Fuel; co-founder, Kirshenbaum Bond & Partners: "It isn't manslaughter, it's industry suicide in slow motion, one FTE at a time."

Gary Lee, Global Chief Financial Officer, McCann Worldgroup: “It’s more like Madison Avenue Massacre, and the bullets are falling prices, incentives that do not incentivize, mystery benchmarks and scope theft. We need strong and fair economic partnerships to fund creative and strategic brilliance. Michael Farmer’s exposé should ignite the debate. Bravo!”

Deborah Wahl, Chief Marketing Officer, McDonald's USA: “A great and engrossing read. This book is as relevant for advertisers as it is for agencies. After years of CMO tenure declining faster than agency turnover, the work of the CMO has had to refocus on delivering brand growth and profitability. This book highlights how our most valuable partners can refocus too and develop a more productive partnership to master the challenges of the VUCA world in which we operate.”

Richard Roth, President and Founder, Roth Observatory: "Finally someone has written a book about everything I believe in. Farmer identifies the causes and dynamics of the industry's issues and woes. He understands the economics, the behaviors and the causes of an inevitable talent drain. Solutions are scarce and they require a keen understanding of the business. Farmer has this understanding."

About the Author

Prior to founding Farmer & Company in 1992, Michael Farmer was a strategy consultant with The Boston Consulting Group and a Director of Bain & Company. He headed Bain’s Munich, Paris and London offices during Bain’s decade of European expansion in the 1980s. Michael lived and worked in Brazil, Switzerland, Turkey, Germany, France and UK for more than 20 years. He was associate dean at the Harvard School of Public Health and Professor of Naval Science at Iowa State University.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Financial professionals looking to better understand the sector from the outside will find Farmer's ...
By Brian W Wieser
Michael Farmer provides fascinating insights into the underlying trends impacting the creative agency industry in Madison Avenue Manslaughter. Financial professionals looking to better understand the sector from the outside will find Farmer's book to be a unique (and important) assessment on its current state, while practitioners - financial and otherwise, client and agency-side alike -- will undoubtedly find helpful ideas for improving mutual business outcomes.

4 of 4 people found the following review helpful.
The Most Important Book About Advertising Since Ogilvy's Confessions
By James A. Turner
I've spent 30 years in the agency business and have read just about every book you can imagine about advertising and the agency business. I come from an advertising family -- my father was a Mad Man working side-by-side with David Ogilvy and other members of the Advertising Hall of Fame.

Long story short -- advertising is very near and dear to my heart. As such, I've been disheartened to witness the challenges agencies have been going through over the past several decades. (As an example, the American Association of Advertising Agencies reports that the average length of a client/agency relationship in the 1990s was 8 years -- today, it's 3 years, if that.)

The good news is there's hope, and it comes in the form of Michael Farmer's book. Mr. Farmer is a management consultant who has worked for some of the world's most well-respected consulting firms. More importantly, he has worked for the past several decades as a consultant with many of the world's largest agencies and holding companies.

This well-researched and insightful book doesn't just point out the problems agencies are facing. Instead, it provides a step-by-step action plan on how to identify the problems for your own agency and work towards a solution.

If you're as concerned about your own agency, or the ad agency business, buy this book. It's packed with information you can use to turn your agency around and get it back to where it needs to be.

3 of 3 people found the following review helpful.
Ad agency and holding company CEO’s miss this at their peril.
By George Parker
There is no question that the advertising agency business I used to know, love, and profit from, is in a radical state of change, not to mention confusion, perhaps even panic? Back in my Mad Man days, you could reach over eighty percent of American consumers to sell toilet rolls, or as P&G preferred to call them “Bathroom Tissues” via Mr. Whipple on three TV networks. You could also sell pre-filter Pall Mall cigarettes, “You can light either end,” via three national weekly magazines. It was an era when media plans were done on cocktail napkins during a three martini lunch, and on returning to the office, you had your secretary type it up whilst you had a nap on your office coach.
Today, things are slightly different. With the growth of digital and social media the multiplicity of choices to reach consumers is only matched by the multiplicity of choices consumers have to ignore you. But, it isn’t merely the proliferation of new media that has led to the impending demise of ad agencies as we know them; I would suggest that it’s the stranglehold of the ever powerful holding companies over their subservient agencies that is inexorably pushing us to the end of relationships that have served clients and their agencies well for many years.
I was saved from throwing my hands up in despair when I read Michael Farmer’s wonderful new book, “Madison Avenue Manslaughter.” This is an extremely well thought out exposition of how we have arrived at this state of affairs, whilst presenting the most convincing arguments yet posited for how we can hopefully address the situation. As he puts it so simply, yet forcibly… “Workload is growing faster than income.” Putting this in terms that even I can understand, it means that once an agency is acquired by a holding company, its prime function is to meet the quarterly numbers the holding company needs to keep its shareholders happy… Not to mention the holding companies CEO’s upkeep on luxury apartments, villas, yachts and “Rollers.”
Meantime, at the other end of the s***ty stick is the unfortunate fact of life that the holding companies agency clients are now treating them in the same way they deal with suppliers of mops, brooms and stationary. In other words, bean counter procurement people will be responsible for negotiating agency fees. Which means that agencies can look forward to having the cost of their “Big Idea” looked at in a similar purchasing fashion as providers of “Big Toilet Rolls.” Unless the client is P&G, in which case it will be “Big Bathroom Tissue.” Oh, and can we now pay your invoices on a 120 day at the earliest, schedule?
Inevitably, the holding companies and their subservient agencies succumb to this pressure, agreeing to cut fees and accept delayed payment without suggesting the clients accept longer delivery times and less of a cornucopia of creative offerings. Then when, a few months later, the procurement people turn the screws an extra twist or two, the agencies knuckle down and go along with the ever decreasing game.
Michael Farmer has several rather gnarly suggestions to fix this problem. Essentially, the key is the measurement and management of the agency workload necessary to be able to create the client’s expected deliverables, and to do it in such a way as to justify the fair income and profitability that will satisfy the management of both the agency and its holding company. Further, he suggests a complete rethink of the agency structure and operations, making many detailed suggestions from staffing to remuneration. Finally, he lays the onus on agency management, particularly the CEO; to admit to themselves that they are steaming towards a Titanic sized iceberg and it’s almost too late launch the lifeboats.
On a final, final note, apart from Madison Avenue Manslaughter being required reading for all Agency management. I would put a gun to the heads of the CEO’s of the major holding companies until they have read it from cover to cover. After all, most of this mess is their fault.

See all 17 customer reviews...

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Minggu, 15 September 2013

[U195.Ebook] Download The Complete English Poems of John Donne (Everyman Classics)From J M Dent & Sons Ltd

Download The Complete English Poems of John Donne (Everyman Classics)From J M Dent & Sons Ltd

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The Complete English Poems of John Donne (Everyman Classics)From J M Dent & Sons Ltd

The Complete English Poems of John Donne (Everyman Classics)From J M Dent & Sons Ltd



The Complete English Poems of John Donne (Everyman Classics)From J M Dent & Sons Ltd

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The Complete English Poems of John Donne (Everyman Classics)From J M Dent & Sons Ltd

  • Sales Rank: #3677514 in Books
  • Published on: 1985-09
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 576 pages

Most helpful customer reviews

29 of 29 people found the following review helpful.
A great book
By S. Anderson
I am greatly enjoying this book. The notes at the end explain some of Donne's more obscure imagery. A potentially controversial choice by the editor was to change the spelling of many words to more modern forms, which makes the poems easier to read at the expense of authenticity. Some people will like that and some people won't. Another odd choice was to list the poems in alphabetical order, instead of grouping them by subject matter or attemp to list them in approxiamte chronolgical order.

Buy this book and enjoy the breathtaking poems. You could do a lot worse with your time.

16 of 17 people found the following review helpful.
Enjoying poetry that sounds good when read out loud
By Vincent Poirier
Finally, I've found a poet I really like reading. Donne's poems suit me more than Shakespeare's sonnets or Poe's verse, and apart from someone like Yvor Winters, I just don't get modern poetry (apologies to Sylvia Plath fans).

What rings well with me is, well, ringing well! Reading a poem out loud with a bit of drama should just sound good. That's why rap and hip hop can really be considered poetry (well, some rap and hiphop anyway).

A great example of this is Shakespeare's sonnet 129 (The expense of spirit in a waste of shame/Is lust in action; and till action, lust...). Most (not all) of Shakespeare's sonnets are harder to understand than this one, which is why they don't resonate with me as well as I'd like. Donne on the other hand is different; most of what he writes in English sounds good and is immediately understandable.

Not that I understand everything in these poems, there are many contemporary allusions that are lost on me, but there's enough in there that sounds very good to allow me to right away enjoy myself. Here are two great lines, which open the sonnet "Community", to illustrate what I mean by good sound.

Good we must love, and must hate ill,

For ill is ill, and good good still...

There are problems, themselves interesting, that bring discord to a poem. For instance in Donne's England "love" rhymed with "prove" but because today these words don't, a couplet with this rhyme is marred to our 21st century ears.

A personal note: I was in bed reading "Soul Made Flesh" about the discovery that the brain is the seat of consciousness, made by Oxford scholars in 17th century England. I had reached an account of how large audiences of curious onlookers gathered to see doctors perform autopsies. I put the book down and decided to dip into Donne before going to sleep. I flipped out when I read The Damp's opening lines:

When I am dead, and doctors know not why,

And my friends' curiosity

Will have me cut up to survey each part...

Talk about serendipity! Now if I had just read an explanation of these lines in the notes, they would not have meant much to me. But because reading "Soul Made Flesh" had transported me into Donne's England for a few moments, the dramatic effect of the opening was multiplied immensely.

In a nutshell, I find that I love Donne and I recommend this comprehensive easy-to-carry well-annotated edition. My only negative comment is that the editing is a bit unimaginative: the editor places the sonnets in alphabetical order of title simply because there is no accepted canonical ordering... Oh well.

Vincent Poirier, Tokyo

7 of 7 people found the following review helpful.
A difficult poet? Perhaps. A complex poet? Undoubtedly. But that complexity is part of his greatness.
By J C E Hitchcock
John Donne was perhaps the most eminent representative of that group of late sixteenth and early seventeenth century poets known as the “metaphysical poets”, although it has often been pointed out that they were never a self-conscious literary school or movement, and would never have referred to themselves by that epithet, which was invented by Samuel Johnson in 1781, inspired by a criticism of Donne made by John Dryden about a hundred years earlier.

Some of the metaphysical poets, such as George Herbert, wrote exclusively on religious themes, but with Donne this was not the case, although it is true that one of his two great themes was man’s love for God, the other being man’s love for woman. Donne does, however, display two common “metaphysical” traits. One was a taste for philosophical speculation, even in his secular verse, and it was this for which he was taken to task by Dryden, who said of him that “"He affects the metaphysics, not only in his satires, but in his amorous verses, where nature only should reign”.

The second is his use of the metaphysical conceit, an extended metaphor combining two very different ideas. I remember being taught at school that the classical example of a conceit was Donne’s comparison of his wife and himself in "A Valediction: Forbidding Mourning" to a pair of compasses, joined even when they are physically separated. At least, we were taught that the lady in the poem is Mrs Donne, but that may just have been prudery on the part of the teacher. Like many of Donne’s poems this one cannot be precisely dated, and we know that he wrote poems to other mistresses before his marriage to Anne More in 1601.

Other well-known conceits include his comparison (in “The Flea”) of a flea biting two lovers to love-making and his description (in his “Elegy XIX: To His Mistris Going to Bed”) of his mistress as “my America, my new-found land”. In “A Lecture upon the Shadow”, perhaps less well-known but nevertheless a striking poem, he draws parallels between the shadows cast by two lovers at different times of the day and the progress of their relationship. Donne’s imagery is often drawn from the sciences, from astronomy (as here), from alchemy and from geography.

This volume includes all of Donne’s English-language poetry. (Besides English, he also wrote in Latin). Not all of his output consisted of religious verse or love-poems; he also wrote brief epigrams, verse epistles, satires and “epicedes and obsequies”, that is to say poems written to mourn the death of a particular person. These are not the poems by which he is best-known today, although his satires contain some pithy indictments of the corruptions and follies of late Elizabethan and Jacobean England. His Third Satire deals with the subject of true religion, something dear to Donne’s heart; he was brought up in a notable recusant Catholic family, being related by blood to both Jasper Heywood and Thomas More, but left the Catholic Church for Anglicanism, which he saw as a via media between the extremes of Catholicism and Protestantism, and was eventually ordained as an Anglican priest.

His mourning poems, and some of his epistles written to living persons, are not well-known today, even though they contain some elegant poetical writing, possibly because, to modern tastes, they can come across as insincere and fawning. If everything Donne wrote in these poems was meant sincerely, I can only say that he had the great good fortune not only to have been a contemporary of some of the greatest saints who have ever lived but also to have known them personally. (Strangely, none of these persons have been officially canonised by any Church, unlike Donne himself, who is commemorated in the calendar of the Church of England). In his two long poems entitled “The Anniversaries”, religious meditations occasioned by the death of a young girl named Elizabeth Drury, his language becomes so extravagant that one would think he were writing about God, Christ or the Virgin Mary rather than a teenage girl whom he does not appear to have known personally.

This insincerity contrasts strangely with Donne’s better-known poems in which emotional honesty is one of his hallmarks. Earlier erotic poets of the Petrarchan school could pen love-ballads, containing all the commonplaces of courtly love, to imaginary mistresses. A literal reading of Thomas Wyatt’s poems, for example, would suggest that he spent most of his life in the throes of unrequited love for a “cruel mistress” (in the poetic rather than the sexual sense) who refused to yield to his advances. A reading of Wyatt’s biography, however, would suggest that the poet, who was separated from his wife, was at the time living in a relationship with a real-life mistress (in the sexual rather than the poetic sense) who was presumably quite happy to yield to his advances.

With Donne, however, although we may not know whether his love poems were written to Anne or to some other person, they are so heartfelt that one is left with the feeling that they must have been written to a flesh-and-blood woman, not to some hypothetical descendant of Petrarch’s Laura. Some years ago my then girlfriend and I had a strange experience while saying goodbye late one evening. As we embraced, although nothing sexual actually took place, it seemed to us as though our personalities had joined and that we had become one person. When we eventually parted we discovered that an hour had passed even though it had only seemed like a few minutes. The only way I could describe the experience was by saying that we had made love without actually having sex- until I read Donne’s poem “The Ecstasy” which gives a perfect poetic description of an identical experience.

Donne had a great gift for finding the perfect description of emotional experiences, and not just joyous ones like this. His "A Nocturnal upon Saint Lucy's Day, Being the Shortest Day", is one of the most moving descriptions ever written of grief on the death of a loved one. (It may have been occasioned by the deaths of his daughter and his close friend Lady Bedford, who both died in 1627 and who shared the Christian name Lucy).

Donne’s love poems seem to have been written early in his career and are notable for their relatively free verse forms and rhythms which approximate to those of ordinary speech; they may have marked a reaction against the smooth, polished style of earlier Elizabethan poets such as Sidney. They were published after his death in a collection called “Songs and Sonnets”, although none is a sonnet in the strict sense of the word. His religious poems- the other main plank on which his reputation rests- were generally written later, and are stricter in their form; they include numerous strict-sense sonnets. Like his love poems, however, they are a record of deeply-felt personal experiences, not simply of a conventional piety, and like them often rely upon a startling juxtaposition of contrasting ideas.

Donne is sometimes thought of as a “difficult” poet, and there are good reasons for this. He is adept at compressing a great amount of meaning into a few lines, often relying upon paradoxes and double meanings to produce passages which are capable of being understood in more than one sense, and this can make his verse semantically complex, requiring several readings to be fully understood. His poems contain many allusions which are not always immediately transparent to the modern reader; this edition, edited by Professor A C Smith, contains copious notes, often longer than the poems they elucidate. And yet he was also capable of producing poetry of an elegant simplicity, a good example being the sonnet beginning “Death Be Not Proud”, a profound meditation on death and immortality. A difficult poet? Perhaps. A complex poet? Undoubtedly. But that complexity is part of his greatness.

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Sabtu, 14 September 2013

[H594.Ebook] Download Doing & Writing Qualitative Research, by Adrian Holliday

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Doing & Writing Qualitative Research, by Adrian Holliday

With a strong focus on using less traditional forms of data the Third Edition provides a new perspective on issues such as the role of the researcher and the impact they have on data, and also considers the impact of social, cultural and political complexities across a range of disciplines.

Approachable and logically structured, this new edition expertly sets out the many roles of writing in research. From the more theoretical subjects (e.g. research strategies, data types, and writing styles) to the nitty gritty practicalities (e.g. conventions, taking notes, and writing questions), each chapter covers many common concerns writers face when attempting to transform complex data and real world research experiences into textual products.

With fully updated examples and case studies as well as a strong focus on using less traditional forms of data like photographs, personal narrative, and creative non-fiction, this third edition introduces students to modern opportunities in data collection and sourcing that adds depth to their research.

Find out how to:

- Establish and construct research questions, frameworks, and paradigms

- Engage with different styles and media of data

- Present ideas clearly and persuasively

- Approach sensitive issues of identity and avoid reductive judgements

- Discover your individual writing voice

Through its accessible advice and its exploration of social, cultural, and political complexities across disciplines, this book is appropriate for both novices and more experienced researchers and forms an essential tool for students engaging in qualitative research across a variety of fields.

  • Published on: 2016-08-16
  • Original language: English
  • Dimensions: 9.60" h x .70" w x 6.90" l, .0 pounds
  • Binding: Hardcover
  • 216 pages

Review

This new edition of Doing and Writing Qualitative Research  puts the richness of research accounts at its centre and pushes the boundaries of understanding naturalistic studies to address the personal and disciplinary challenge of fieldwork explanation.  At all times Holliday is in search of meaning through intimate research worlds and invites the reader into live research encounters to critically assess reflexivity as experienced in the field and through writing.

 Holliday is aware of the acute need to explain with purpose and sensitivity the value, insight and complexity required when studying human interactions.  Through diverse forms of data collection, analysis and theory we are taken on methodological journey that is both a practical fieldwork guide but also offers a new contribution towards an understanding of researcher positionality at an interdisciplinary level.   

(Professor Shane Blackman 2016-03-14)

About the Author
Adrian Holliday is Professor of Applied Linguistics at Canterbury Christ Church University

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Jumat, 13 September 2013

[T461.Ebook] Download PDF My Fight / Your Fight, by Ronda Rousey

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My Fight / Your Fight, by Ronda Rousey

Her story, her voice.

In this inspiring and moving book, Ronda Rousey, Olympic medalist in judo, reigning UFC women's bantamweight champion, and Hollywood star, describes her difficult path to glory.

Marked by her signature charm, barbed wit, and undeniable power, Rousey's account of the toughest fights of her life - in and outside the Octagon - reveals the painful loss of her father when she was eight years old, the intensity of her judo training, her battles with love, her meteoric rise to fame, the secret behind her undefeated UFC record, and what it takes to become the toughest woman on earth. Rousey shares hard-won lessons on how to be the best at what you do, including how to find fulfillment in the sacrifices, how to turn limitations into opportunities, and how to be the best on your worst day.

Packed with raw emotion, drama, and wisdom, this is an unforgettable book by one of the most remarkable women in the world.

  • Sales Rank: #7691 in Audible
  • Published on: 2016-10-18
  • Released on: 2016-10-18
  • Format: Unabridged
  • Original language: English
  • Running time: 519 minutes

Most helpful customer reviews

178 of 189 people found the following review helpful.
I remember it like it was yesterday and I was a "Rowdy" Ronda ...
By Marvin
I remember it like it was yesterday and I was a "Rowdy" Ronda Rousey hater. As a longtime mma fan I never believed female mma fighters deserved to be in the UFC because their skill and fighting spirit paled in comparison to men's and I felt that way with Rousey too. Each opponent she would face I would dismiss them both as lacking skill and undeserving of being in the most elite mma company in the world (the UFC [Ultimate Fighting Championship]). I would boo Ronda as I watched her fight at the local Buffalo Wild Wings and think to myself this woman is a one trick pony and she will be beaten once that trick doesn't work. Disappointment would fill me as she would win over and over again and I thought to myself maybe one day she won't.

It wasn't until UFC 175 that she opened my eyes and made me realize that I was letting my bias towards her blind my logical reasoning. She would co-main event against fellow bantamweight Alexis Davis and defeated her dominantly by KO through the combination of an overhand right, a judo throw, and punches from hell once they hit the deck. It was then that I knew she was different, she wasn't a one trick pony but a once in a lifetime athlete who transcends the sport and reaches the mainstream through her absolute dominance of her competition. Then I asked myself how is she so great? How does she make it look so easy? And why does everyone including Hollywood want to be associated with Ronda Rousey? I scoured a few articles and read that she was a hard worker and a former olympian medal winner so maybe I thought that is why she is better than everyone and let it be believing I solved it.

Unbeknownst to me she had a book coming out today that I only found out about yesterday. I felt if it was an official biography done by the 135 pound champ I had to get my hands on it to understand why she truly became so great. And she showed me through what felt like a first person perspective the events that brought her to greatness. I felt like I was Rowdy Ronda Rousey going through the death of her dad, her failures and shortcomings at the pinnacle of Judo competition, living in a car, her trying to win over her current mma coach to train her, the first mma fight, the strategy to bring women's mma to the limelight, and what kinds of things she plans to do with the future. This amazing book which I read in under 6 hours was of the most inspirational books I have ever laid my eyes upon and felt necessary to write a review. Ronda Rousey hasn't just helped pave the way for women's mma but is paving the way for women to not limit themselves to doing generic gender jobs and to realize that you can be whoever you want and follow whatever path you choose. This book will show you the future of women in and out of competition and about one of the greatest athletes and more importantly one of the greatest humans this generation has ever seen.

-A former Ronda hater now a fan. :-)

50 of 53 people found the following review helpful.
Amazing and honest
By Dani torres
I couldn't stop reading. It's a manual to athletic success, a look into the chaotic life of an Olympian and sports icon as well as an in-depth read on the psychology of greatness.

47 of 52 people found the following review helpful.
And Still
By S Chapman
This book is an entertaining and inspiring glimpse into what it takes to be the best. I would recommend My Fight / Your Fight to any Rousey fan and to anyone who needs a reminder that the only power people have over you is the power that you give them.

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Senin, 09 September 2013

[M285.Ebook] Ebook The Ruin of Gabriel Ashleigh: A Society of Gentlemen Short Story, by K.J. Charles

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The Ruin of Gabriel Ashleigh: A Society of Gentlemen Short Story, by K.J. Charles

Passion is on the cards for two reckless rogues as K. J. Charles ups the ante in her Society of Gentlemen series with a sizzling eBook short story.
 
The youngest son and the blackest sheep in his family, Lord Gabriel Ashleigh never imagined he could sink so low. Though he’s a notoriously bad gambler, he takes on the formidable but strangely alluring Francis Webster, only to lose everything: all his money, the lovely estate he inherited from his aunt, and any hope of future happiness. So it’s a shock when Webster summons him to a private game for a chance to win back his possessions. The stake? If he fails, Ash must surrender his body.
 
Francis has been waiting years for this moment. At Eton, Ash’s elder brother harassed him relentlessly. Now, consumed by lust and rage, Francis is only too happy to exploit Ash’s foolish indiscretions. But as Francis strips the magnificently built youth—first of his family assets, then his clothes—he begins to wonder whether he’s been plotting revenge . . . or exquisite seduction.

Praise for The Ruin of Gabriel Ashleigh
 
“Oh my goodness, this short story was so gloriously sexy!”—Just Love
 
Praise for the Society of Gentlemen series
 
“The Regency period gets more rakish than ever in the Society of Gentlemen series. I’ll read anything K. J. Charles writes!”—New York Times bestselling author Kate Pearce
 
Includes a special message from the editor, as well as an excerpt from another Loveswept title.

  • Sales Rank: #37391 in eBooks
  • Published on: 2015-10-27
  • Released on: 2015-10-27
  • Format: Kindle eBook

Review
Praise for The Ruin of Gabriel Ashleigh
 
“Oh my goodness, this short story was so gloriously sexy!”—Just Love

Praise for the Society of Gentlemen series
 
“The Regency period gets more rakish than ever in the Society of Gentlemen series. I’ll read anything K. J. Charles writes!”—New York Times bestselling author Kate Pearce

Most helpful customer reviews

2 of 2 people found the following review helpful.
Disappointment
By JS
I kinda feel a bit hook-winked out of money on this one. It's only 3 markers on my Kindle for length, and the actual story only took up 2 of those. The story ended at 65%. The rest was excerpts. So this didn't really feel like 50 pages at all. When the last scene ended, I thought -- wait, that can't be it? I also didn't find the sex very hot for the build-up. I think this was a waste of good characters and I felt a bit cheated on content. If you haven't read the books in the series, I don't think this works very well; it's not a stand-alone. And even having read the others, I still don't really feel as if I knew these characters at all. I was disappointed since I loved the books in this series.

1 of 1 people found the following review helpful.
I'm ruined for all other Regency romances!
By Jen Valencia
The Ruin of Gabriel Ashleigh is the prequel novella in the Society of Gentlemen series from author K.J. Charles and was originally published as part of the multi-authored Another Place in Time series. Both Gabriel Ashleigh and Francis Webster were introduced in the first book, A Fashionable Indulgence, which I absolutely adored, and because their presence there was markedly memorable, finally knowing how these two got together was a joy. Their main connection is Ash's older brother, who, like Francis, is six years older than Ash, but with Francis's relationship with said brother adversarial at best, Ash and Francis weren't exactly bosom buddies and Ash himself fell prey to putting his foot in his mouth while intoxicated.

This novella may not detail when Francis and Ash first met or every encounter they had thereafter, but what it does, and it does it rather well, is it gives readers pertinent information, enough that we know how enough of their history to realize that what happens to them is an undeniable inevitability. Novellas are difficult to pull off, mainly because of the limits on length, but K.J. Charles proves you can indeed create a story and leave a reader like me more than satisfied and squeeing in delight like the that fangirl I am. The Society of Gentlemen series has ruined me for all other Regency series, whether M/M or otherwise, and The Ruin of Gabriel Ashleigh gives you a delicious taste of just how addictive a series it is. Five-plus stars! ♥

0 of 0 people found the following review helpful.
Fun short story/MM Regency Romance
By Wendy Clements
A very fun short read about two characters introduced in A Fashionable Indulgence, Gabriel Ashleigh and Francis Webster. While it doesn't delve into the issues AFI does, it gives the back story of Gabriel and Francis, which is nice to have. It's not necessary to have read AFI-- it helps some, but I think reading this first would add insight when reading AFI.

I love the attention paid to detail about Regency period--the men were _all_ about fashion, and KJ Charles knows what she's talking about. Some might think that there's too much detail, but that's really what the period was about--an excess on behalf of the gentry that exacerbated the divide between the landed gentlemen and the working class (hm, sound familiar?). The detail is all important, because that's what they lived and breathed. Cuts to one's wardrobe were taken seriously. It's like Mean Girls, only it's Mean Guys. And I think it's fascinating that the men were just as obsessed about their clothes as women were always portrayed to be. It's a wonderful insight, and very artfully done. A Fashionable Indulgence shows this in greater depth, so if you've tried this first, and liked it, you'll love AFI!

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Sabtu, 07 September 2013

[R446.Ebook] PDF Download Stock Market Investing for Beginners: Essentials to Start Investing Successfully, by Tycho Press

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Stock Market Investing for Beginners: Essentials to Start Investing Successfully, by Tycho Press

Learn how to invest your money the smart way.

All forms of investment share a common purpose: to provide for a better future. Stock market investing is one of the best tools you can use to build a more secure financial foundation for you and your family. However, for those of us who aren't professional stockbrokers, the process of stock market investing can seem complex and bewildering. Stock Market Investing for Beginners will arm you with the information you need to understand the basics of stock market investing, and start taking control of your financial future. Stock Marketing Investing for Beginners will take the frustration and intimidation out of stock market investing, so that you can make the investments that are right for your financial goals.

  • Sales Rank: #6022 in Audible
  • Published on: 2014-01-16
  • Format: Unabridged
  • Original language: English
  • Running time: 265 minutes

Most helpful customer reviews

54 of 56 people found the following review helpful.
Great Book For Beginning and Seasoned Investors
By Cheryl D. Broussard
As a financial advisor, I recommend this book to anyone wanting to learn the Wall Street stock market game and build wealth. The book explains in plain English how to calculate rates of returns,determine your risk level and the rule of 72, which will help you reach your financial goals. One of the best chapter is on the fundamentals of the stock market. It explains the various exchanges, how to value a stock and a list of the typical questions and answers a novice investor would ask.

Stock market Investing for Beginners also gives good advice on when to sell a stock, Most investment books skip this advice, and as a result, most new investors don't know when to sell the stock.

Other chapters include how to analyze stocks, read the stock quotes, explanation of the various valuation ratios and how to structure your investment portfolio with various alternative investments. There is also a glossary, so you can understand the Wall Street lingo.

This is not a book you read in one seating. I recommend you study chapter by chapter and get familiar with the numbers and calculations to make wise investment decisions. Read and study this book before you seek out a stockbroker or financial advisor, that way you'll never be led astray by Wall Street professionals.

17 of 17 people found the following review helpful.
A small book with a lot of equations, some good info
By Redwood Cat
EDIT 8/7/14: After I wrote this review, I discovered that the end of this book has very good advice on when to sell your stock. This info alone was worth the price of the book, and is finally enabling me to actually make a bit of money from my stocks. So I change my rating from 3 to 4 stars for this.

As a true beginner, I found this book rather frustrating. I liked that a minimal amount of time was spent on general investing advice, so that we could get right into stocks. At first I liked that this is a small book, 128 pages of content with a small page size and medium font, but soon realized that the information was packed too densely for me to be able to learn it. The bulk of the book is one equation on company statistics after another woven into a loose narrative. They said to follow along with the equations at home, but I would have needed more guidance than that, like a work book or at least some exercises. So the more I read, the more lost I got. I will, however, keep this as a reference book, as it has a good index, and I will be able to use it to look up terms and equations.

23 of 25 people found the following review helpful.
De-Mystifies the stock market!
By Carolyn Matigian
This book de-mystifies the world of investing for those of us who have maybe been scared off by terms and numbers we didn’t understand. This does not read like another “get rich quick” book at all, but rather encourages the reader to educate themselves by not only reading this text, but others as well, which are listed in the bibliography and “for future reading” sections. It’s filled with easy-to-read charts and graphs, and gives simple equations that can be used to easily calculate the number you’re looking for. In the end, Chapter 11 recaps the book with a great section entitled, “Building Your Perfect Portfolio”, which is straightforward and easy to follow. I highly recommend this book for anyone interested in becoming more active with their investment strategy.

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Our One Great Act of Fidelity: Waiting for Christ in the Eucharist, by Ronald Rolheiser

From the author of the bestselling, The Holy Longing, comes a book about the central expression of faith for hundreds of millions of Christians, the Eucharist.
 
More so than anything else, the Eucharist is what anchors many peoples' life, prayer, and ultimately the way they live their lives. In this deeply personal book, Father Ronald Rolheiser delves into the history and meaning of this sacred tradition, drawing upon the insights of various scripture scholars, theologians, and church teachings. With personal warmth and great insight, he reflects on his own particular Roman Catholic upbringing and the centrality that the Eucharist has within that tradition. At the same time, he looks at other denominations’ traditions around the Eucharist. Our One Great Act of Fidelity is an investigation into the ways people secure their faith and belief and discover true intimacy with God and each other. Ultimately, however, it is a spiritual and a personal statement of how Ronald Rolheiser understands the Eucharist and why he celebrates it every day.
 
 
 
Ronald Rolheiser is a specialist in the field of spirituality and is currently President of the Oblate School of Theology in San Antonio, Texas. Father Rolheiser is the author of The Holy Longing, The Restless Heart, Forgotten Among the Lilies, The Shattered Lantern, and Against an Infinite Horizon. He writes a weekly column that appears in more than 90 Catholic publications. More information on his work can be found at RonRolheiser.com.

  • Sales Rank: #389415 in Books
  • Brand: Image
  • Published on: 2011-06-14
  • Released on: 2011-06-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .70" w x 5.70" l, .61 pounds
  • Binding: Hardcover
  • 144 pages
Features
  • Great product!

About the Author
RONALD ROLHEISER, O.M.I., a Roman Catholic priest and member of the Missionary Oblates of Mary Immaculate, is president of the Oblate School of Theology in San Antonio, Texas, and the author of the books The Holy Longing, Sacred Fire, The Restless Heart, Forgotten Among the Lilies, The Shattered Lantern, and Against An Infinite Horizon. He is a community-builder, lecturer and writer, and his weekly column appears in more than 90 Catholic publications. More information on his work can be found at ronrolheiser.com.

Excerpt. © Reprinted by permission. All rights reserved.
chapter 1

The INCARNATION and

the BODY of CHRIST

A story that is familiar to many of us tells of a young girl who woke up one night frightened and disoriented, convinced that there were spooks and monsters around her in the darkness of her room. She ran to her parents' bedroom for safety. Her mother brought her back to her own room, put on a light to show her that there was nothing there, and gently tried to reassure her that she was safe. Then, just before leaving, the mother said to her, "You don't need to be afraid. You aren't alone. God is here in the room with you." The child replied, "I know that God is here with me, but I need someone here who has some skin!"

We are all like that little girl. As human beings we are sensual creatures in the true meaning of that term. We are creatures of the senses: touch, sight, hearing, smell, and taste. Everything that enters us goes through one of those five senses and everything that comes out of us, all communication and expression, comes out through one of those same senses. We are not angels, pure spirits without bodies. We are incarnate spirits, souls that have a body, and so we need things that we can touch, see, hear, taste, and smell.

That is true, too, sometimes especially so, in terms of our relationship to God. A God who is everywhere is, for us, at a certain point, nowhere. We are human. We need a God who has some skin, who can be located, who can somehow be physically touched. And God--who knows human nature, since he created it--respects that need in us and meets us on our own terms. Thus, the central tenet within Christianity, the very thing that defines it, is the belief that, in Christ, God took on concrete flesh and became tangible, physical, someone who can touch and be touched. Indeed the very word Christ ultimately means divine reality inside of human flesh.

When John wrote his Gospel, he did not include a Christmas story. In place of the birth of Jesus, he simply wrote, The word was made flesh and it lives among us. That single statement defines Christianity. Christianity isn't first and foremost a religion or a set of beliefs. Rather, parallel to the unfolding of the universe itself, it is an ongoing story, the story of God taking on physical flesh in this world, a story that began with the birth of Jesus in Bethlehem and that continues down to this very day. God is still taking on concrete flesh. How?

The mystery of God taking on concrete flesh, which Christians call the incarnation, isn't a simple thirty--three--year incursion of God into human history in the person of Jesus. It's more. God took on flesh in Jesus, but the incarnation didn't end when Jesus ascended back to the Father after his resurrection. The incarnation is still going on. God is still taking on concrete flesh in this world. Where?

In the Christian scriptures, the term the body of Christ is used to refer equally to three things: the historical body of Jesus, the body of believers, and the Eucharist. Each of these is referred to as the body of Christ. Each is the body of Christ. For instance, when Saint Paul refers to either the community of believers or the Eucharist, he never intimates that they are like Jesus, that they replace Jesus, that they are symbolic representations of Jesus, or even that they are a mystical presence of Jesus. Each is equally called the body of Christ, each is that place in our world where God takes on concrete flesh. God still has skin in this world, in the Eucharist and in the community of believers. The incarnation is still going on. The word is still becoming flesh and living among us.

That is the first, and the key, thing that must be said about the Eucharist. Along with the community of believers, the Eucharist is God's physical presence, God's real presence in the world. The Eucharist is the place where God continues to take concrete physical flesh just as he once did in the womb of Mary. In the Eucharist, the word continues to become flesh.

2

The CENTRALITY of the EUCHARIST

to the CHRISTIAN FAITH

Jesus didn't leave us a lot of rituals. He left us his Word1 and he left us one ritual, the Eucharist. He refers to other rituals such as baptism, and other parts of the Christian scriptures refer to the laying on of hands, to the confessing of sins, and to various kinds of anointing with oil, but Jesus, himself, left us only his Word and the Eucharist.

And it is around these two things, the Word and the Eucharist, that we form community; from these we create church. Historically Roman Catholics and Protestants have differed as to which of these to give the priority. In classical Protestant theology and practice, the Word is central; it is what first and foremost draws us into community. Eucharist might or might not follow. In Roman Catholicism, the Eucharist is given priority and the Word and all the other sacraments are ultimately in support of the Eucharist.2 In a vast oversimplification, it might be said that Roman Catholics form church around the Eucharist, while seeing the Word as a necessary prelude to and supplement to the Eucharist; whereas Protestants form church around the Word, while seeing the Eucharist as flowing out from that in different ways.

Partly this can be seen simply by walking into either a Roman Catholic or a Protestant church. When you walk into

a Protestant church, what is front and center? A pulpit or a lectern, something from which the Word of God is proclaimed and preached. Secondarily there might or might not be an altar, and if there is one, it is generally less centrally situated. The architecture speaks the theology: we gather first and foremost around the Word. The Eucharist takes a secondary place. When you walk into a Roman Catholic church the reverse is true: What is front and center? An altar. Off to one side, far less prominently, is placed a pulpit or a lectern. The message is also clear in the architecture: we gather first and foremost around the Eucharist, and the Word takes second place.

Biblical scholars suggest that this kind of division may have existed already at the time when the Gospels were written. Already then there were major variations among the different communities as to how often the Eucharist was celebrated and what its exact role was in bringing the community together. In either case, however, it was still deemed to be central, the summit to which we are called. Augustine, perhaps the most influential Christian theologian of all time, puts it this way: Jesus didn't leave us the church and from the church we derive the Eucharist; rather, for him, Jesus left us the Eucharist and from the Eucharist we derive the church. The church is in service of the Eucharist, not vice versa. Heaven will be a banquet table. The Eucharist already is that table. Because of this, Roman Catholics teach that the Eucharist is the source and the summit of all Christian life. However, because it is both source and summit, it gives a mixed message: it is both the sign of our unity and a means of coming to that unity. It is both the end to which all Christians are journeying and, at least partially, the means to get there. This double meaning has been the source of much, and sometimes bitter, debate among the churches in regard to the practice of intercommunion.

3

The RADICAL, SHOCKING, RAW, PHYSICAL CHARACTER

of the EUCHARIST

A few years ago Brenda Peterson wrote a book of essays titled Nature and Other Mothers.3 Her first entry is wonderfully named In Praise of Skin. In it, she tells how at one point in her life she was afflicted by painful skin rashes. Like the woman with the hemorrhage in the Gospels, she tried every possible doctor, but found no cure. Medication after medication proved ineffective, and eventually the doctors ran out of things to try. The rash always came back.

One day her grandmother assessed her and pronounced a more ancient and accurate diagnosis: "Skin needs to be touched!" Her grandmother then began to give her regular skin massages, and these did what the more sophisticated medicines couldn't do. They cured her.

Peterson's grandmother is right: Skin needs to be touched!

God knows that better than anyone. It's why Jesus gave us the Eucharist. In the Eucharist skin gets touched. The Eucharist isn't abstract, a theological instruction, a creed, a moral precept, a philosophy, or even just an intimate word. It's bodily, an embrace, a kiss, something shockingly physical, the real presence in a deeper way than even the old metaphysics imagined.

For whatever reasons, we tend to shy away from admitting how radically physical the Eucharist actually is. Saint Paul didn't share that fear. For him, the physical communion that takes place in the Eucharist, between us and Christ as well as among ourselves, is as real and radical as sexual union. For example, he argues against sex outside of marriage by saying that our union with Christ and each other in the Body of Christ is so intimate and real that, in effect, we would prostitute that Body if we were to have illicit sex. Strong words, but they are predicated on a very earthy conception of the Eucharist.

The early church followed Paul on this. They understood the Eucharist as so real, so physical, and so intimate that they surrounded it with the same taboos of privacy, reverence, and reticence that we reserve for sexual intimacy. For some centuries the early church had a practice (still partially followed in

some present--day church programs) that it called the Disci-plina Arcani. The discipline tried to guarantee that nobody who was not baptized or fully initiated into the community could participate in the Eucharist (beyond the liturgy of the Word). As well, Christians who were fully initiated were forbidden to speak to outsiders about the Eucharist. The intent of the discipline was not to create a mystique around the Eucharist so as to draw people to it through curiosity. Rather the idea was that the Eucharist is so intimate an act that propriety, respect, and reverence demand non--exhibitionism: you don't make love in public, and you don't talk to outsiders about this kind of intimacy.

We tend to shy away from that kind of talk. Partly that's understandable. It's hard to be comfortable religiously with how Christianity understands the physical and the bodily.

Christianity is without doubt the earthiest of all religions.4 Unlike most other religions, it doesn't call you out of the physical, out of the body, or out of the world. Rather it tells you that God enters the physical, becomes one with it, blesses it, redeems it, and that there is no reason to escape from it.

Something in that goes against the grain. Christ's relationship to the physical scandalized his contemporaries. "This is intolerable language!" is what the crowds said when Jesus spoke of the physical character of the Eucharist in John's Gospel, and the raw physical character of the Eucharist is still hard for us to accept today. But it's also a wonderful part of Christianity. In the Eucharist, our skin gets touched.

And, given our tensions and loneliness, we need that touch frequently, daily even. The late essayist and novelist Andre Dubus once wrote a wonderful little apologia on why he went to Eucharist regularly, despite the eyebrows that were sometimes raised in the circles he moved in. Here are his words:

This morning I received the sacrament I still believe in: at seven-- fifteen the priest elevated the host, then the chalice, and spoke the words of the ritual, and the bread became flesh, the wine became blood, and minutes later I placed on my tongue the taste of forgiveness and of love that affirmed, perhaps celebrated, my being alive, my being mortal. This has nothing to do with immortality, with eternity; I love the earth too much to contemplate a life apart from it, although I believe in that life. No, this has to do with mortality and the touch of flesh, and my belief in the sacrament of the Eucharist is simple: without touch, God is a monologue, an idea, a philosophy; he must touch and be touched, the tongue on flesh, and that touch is the result of the monologues, the idea, the philosophies which led to faith; but in the instant of the touch there is no place for thinking, for talking, the silent touch affirms all that, and goes deeper: it affirms the mysteries of love and mortality.5

The Eucharist is physical, real, shockingly so.

part two

The MANY DIMENSIONS

of the EUCHARIST

Christians argue a lot about the Eucharist. What does it mean? What should it be called? How often should it be celebrated? Who should be allowed to participate fully?

There are lots of views on the Eucharist. For some it is a meal, for others it is a sacrifice. For some it is a ritual act, sacred and set apart, for others it is a community gathering, the more mess and kids the better. For some it is a deep personal prayer, for others it is a communal worship for the world. For some its very essence is a coming together, a communion, of those united in a single denominational faith, while for others part of its essence is its reaching out, given that it contains an innate imperative to wash the feet of those who are different from ourselves. For some it is a celebration of sorrow, a making present of Christ's suffering, the place where we can break down, for others it is the place to celebrate joy and sing alleluia. For some it is a ritual remembrance, a bringing into the present of the historical events of Jesus' dying, rising, ascending, and sending the Holy Spirit, for others it is a celebration of God's presence with us today. For some it is a celebration of the Last Supper, something to be done less frequently, for others it is God's daily feeding of his people with a new manna, Christ's body, and is something to be done every day. For some it is a celebration of reconciliation, a ritual that forgives and unites, for others unity and reconciliation are preconditions for its proper celebration. For some it is a vigil act, a gathering that is essentially about waiting for something else or someone else to appear, for others it is a celebration of something that is already present and is asking to be received and recognized. For some it is understood to make present the real, physical body of Christ, for others it is understood to make Christ present in a real but spiritual way. Some call it the Lord's Supper, some call it the Eucharist, some call it the Mass. Some celebrate it once a year, some celebrate it four times a year, some celebrate it every Sunday, and some celebrate it every day. Who's right?

Most helpful customer reviews

20 of 20 people found the following review helpful.
biblical based book on eucharist
By james
i am a priest and i find this book to be a biblically based and practical explanation of our greatest act of worship the Eucharist, the meal of Thanksgiving and Remebrance. The book touches the heart of the faithful and shows how Jesus is the Word who communicates to us as we are, phyical with five senses and spiritual with a longing to be fed. i find the book presenting Jesus, the Real Presence, as a Gift, a Person, Someone to be received into my heart and not a 'thing' to be anaylized and fragmented with philosophical thought. a must read for as many as possible. last, thankfully, John 6, a most fascinating chapter in all of the bible was used and emphasized Jesus as the Bread of Life and we can freely choose to receive this Gift, or walk away. we do the latter at a great loss to our soul. "Lord, to whom shall we go? You have the words of eternal life." He is the Word of Eternal Life.

17 of 17 people found the following review helpful.
Peggy
By Peggy
This book has expanded my understanding of the Eucharist. The book is written that you could read any chapter in any order. You will want to go back and reread!

9 of 9 people found the following review helpful.
Reassessing our ritual
By LeonCarapetyan
Although written from a distinctly Roman Catholic approach to the rites and rituals of church participation and attendance, this book also provides a universal insight to the reasons for communion and for participating in a Eucharistic worship service. Well written and easily understood, it makes good reading for any passionate Christian at any time, but especially in the season of Lent.

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